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哈尔的移动城堡
2024-04-03 16:44:52
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继母因无力负担生活，将苏菲和她的两个妹妹都送到了制帽店去当学徒。两个妹妹很快先后就离开了制帽店去追寻各自的梦想，只有苏菲坚持了下来。一天，小镇旁边来了一座移动堡垒，传说堡垒的主人哈尔专吸取年青姑娘的灵魂，所以小镇的姑娘都不敢靠近。一个恶毒的巫婆为了报复苏菲与哈尔见面，用巫术把她变成了一个80岁的老太婆，而且苏菲还不能对别人说出自己身中的巫术。无奈，苏菲决定独自一人逃离小镇。天黑了，虚弱的苏菲没走多远，来到了移动城堡。心想自己已经是老太婆了，苏菲壮着胆子走进了城堡。不想，遇到了和她遭遇相同的火焰魔。两人约定彼此帮助对方打破各自的咒语……
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在这个魔法世界的国度，宫崎骏塑造了三位法力无边，性格各异的魔法师。哈尔是个温文尔雅、风度翩翩的大魔法师，他能挽着苏菲的手，在半空中漫步轻舞，他能驱使城堡翻山越岭，向自由奔去，他的城堡既通向繁花似锦的天堂，也连着战火纷飞的地狱。荒地女巫是个心狠手辣、令人心惊胆寒的坏巫师，她能把少女变成老妇，能操纵橡皮人四处探寻自己的猎物——年轻健康的心脏。莎莉曼夫人是个为政治目的服务的大巫师，她掌握着魔法师们的生杀大权，可以随意支配他们的能力和生命。可是再厉害的魔法，也有无法解决的
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哈尔是宫崎骏作品中最美颜的男主，但可惜作品质量未如人意。或许是宫崎骏塑造了一个完美的男主角，因此将过多的光芒赋予之，而忽略了作品的其它方面。当然，作品也有让我喜欢的地方。城堡的设定和火焰卡尔发的形象都十分新颖，城堡瞬间移动的功能也显得十分高大上。在这样的设定下，我期待作品能展现更宏大的价值观或者更刺激的故事。就以上的期待而言，作品前半段还在可以接受范围。哈尔身份未明，但对观众有着强有力的吸引力，于是女主的设定便作为一把钥匙，替观众打开哈尔的房间，探索其中的秘密。于是哈尔与苏菲偶遇街头，英雄救美并共同漫步天际，其中浪漫迷倒一片观众。不过苏菲进入城堡之后，作品的发展便开始变得让人失望。虽然在相处之中向观众展现了城堡及魔法的迷人力量，但哈尔以及整个世界设定依然是语焉不详，观众所知无非是对战争的厌恶。而苏菲与哈尔之间的关系发展也显得莫名其妙，如果说漫步天际仅仅是一次缘分的偶遇，那么自苏菲进入城堡后，哈尔一伙处之淡然的态度，便让人不可理解。更不可思议的是，这样的关系下竟让哈尔产生了对苏菲
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至今没有一部动画片能撼动哈尔的移动城堡在我心中的地位，每年必刷。虽然龙猫和无脸男是吉卜力的亲儿子，以周边数量取胜，但在人物塑造上，哈尔比他们更丰富立体。哈尔的虚伪使得他独一无二，他有很多面具，社会形象，舆论形象，社交形象，私人形象……在遇到苏菲之前，他已经转换得身心俱疲，却不敢表现出来。城堡里那扇通往不同地方的门，代表着不同的他。电影一开始，他还没出场，“未见其人，先闻其声”，大家口口相传这人是个专门色诱女人的牛逼魔法师，又花心又邪恶，在市井颇有讨论度，女人们既惧
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好喜欢苏菲，好喜欢卡西法，好喜欢哈尔，好喜欢荒野女巫，好喜欢稻草人王子，甚至好喜欢莎拉蔓那只小狗侦探……都好喜欢，他们每一个我都好喜欢，好爱好爱。大年初二，看完《恋爱通告》随便开到一个台，就是《哈尔的移动城堡》，赶紧看，没想到是删节的。于是花了两天时间，一分没落的看完了。才回忆起那段时间，多么迷《哈尔的移动城堡》，多么迷帅气的哈尔…这真的是一部治愈心灵的影片。苏菲，勇敢，善良，智慧的女孩。她最大的优点是善良，她用宽容善良的心去对待任何人，不管是害她变老的荒野女巫，还是比她漂亮混得比她好的妹妹，不管是嫌疑很大但是已经坐上飞机的狗狗，还是她那年轻貌美嫁富豪的妈，还是因为洗澡水洗坏头发就要死要活的哈尔。她的心里有一泊湖水，不掺杂质，照亮每一个人。不仅善良，她还勇敢。变老了，没有惊慌，不停安慰自己要冷静冷静，还打量自己说这样还不错，符合老婆婆的身份。没有哭，没有闹，只是想找个地方躲起来，不给家人添麻烦，静静得过完剩下的时间。上帝帮那些帮助自己的人。所以苏菲本想帮自己找个拐棍，却遇上了稻草
