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沉没多年古船离奇现世，男孩馒头意外闯入，却发现船上聚集着诸多亡魂……一场大雨过后，“蝼蚁”重生，命运会有改变吗？
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蛟怪是人的欲望和求生欲，老船长是啥不好说，封建帝制还是大家长制！戏古船是政治舞台吧！小猴子们可能是政治投机者，小资产阶级，小知识分子！大雨是乱世动荡的代表吧！大谷子是代表不安分的受压迫者们，馒头是他们的希望盼头！天武军的柳家代表了地方军阀豪强！夜绫人代表了真正的革命先行者，神鸟代表了彻底毁天灭地的造反革命！革命的代价，帝制被消灭了，底层被牺牲掉了，希望留下了，地方豪强换个面孔依然在，唱戏的来回跳梁的都闭嘴了！革命先行者们远遁被抛到天边去了！二叔无非是搞技术的！小姐姐是脱胎
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对《大雨》批评的部分其实大部分跟年前《大护法》差不多，只不过如今互联网的声音更大传播更远。而这次更多批评在于剧情混乱人物单薄，其实有一点原因：《大护法》是上层视角代入，上层天然带着相对全知的视角和能力。而《大雨》是下层视角，观众只能跟随着两个底层屁民来回奔波、反复被抓捕被驱逐，却难以明白为什么。我们太习惯在电影里做上层了，太习惯做全知的上帝了，但是不思凡在质问：凭什么？屁民有权利理解这个世界吗？《大雨》的剧情我可以用一种生活化的例子来解读：你早晨上班，走到青年大
