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中国通史高清
2024-09-08 11:46:02
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中国通史高清剧情介绍:
由于缺乏实物资料，现在只能从文献记载中窥见汉代宫殿壁画的题材特征，但不能很好了解其技法和艺术风格。可是，汉代墓葬壁画的发掘出土，却为我们了解这些内容提供了印证。
从20世纪20年代至今，发现了大量的汉代墓葬壁画，其中见诸正式报道的就达30余处。它们分布在北到辽宁、内蒙古，南达长江流域，东至山东，西达甘肃的广大地区内，时间涵盖两汉，内容极为丰富。有的表现贵族生活方式，较常见的有显示墓主人生前显赫生活的出行图、饮宴百戏图、庖厨图等；有的宣扬历史人物的事迹，较常见的有贤君名臣、贞妇烈女、孝子贤孙等；有的表现天界神仙鬼怪；有的则反映人民群众的一般生活，如劳作场面等。
从艺术表现上看，汉代墓葬壁画已能深入揭示人物的精神状态，将人物内心世界表现出来。技法上则有勾勒平涂，有设骨法。线条有粗有细，用笔已有刚劲柔婉的区别。着色上有浓淡的渲染。我们不妨以具有艺术代表性的洛阳卜千秋墓壁画和内蒙古和林格尔墓壁画为例来窥测一下两汉墓葬壁画的技法和艺术风格。
洛阳卜千秋墓壁画的制作年代大约在西汉昭帝、宣帝之世，壁画向人们展示了一个典型的驱邪升仙的主题。墓墙后壁上部正中绘有一个猪头怪人，这就是驱邪打鬼的“方相氏”，其下绘青龙、白虎，墓顶为一长卷式画面，自东向西依次画彩云，人身蛇尾的女娲，内有蟾蜍与桂树的满月，手持节、身披羽衣的方士，交缠奔驰的双龙，身似羊而枭首张翅的枭羊，鹰头凤尾、展翅飞翔的朱雀，昂头翘尾奔跑的白虎，头绾双髻、面向墓主、拱手下跪作迎接状的仙女，其侧还有口内含草的仙兔；乘三头乌、捧三足乌、闭目飞升的女主人和乘腾蛇持弓、闭目飞升的男主人则画在中间。其后有奔犬与蟾蜍。在西是蛇头双耳双鳍的黄蛇。墓门内的上额，则画着仙人王子乔。[6]从艺术表现来看，线描勾勒粗放、自由、有力。虽然画中人物平静安详，但由于披肩、袖口以及须发的线条流畅、洒脱，故而增强了整个画面的翘举飞扬之势。设色虽只有朱红、淡赭、浅紫和石绿，但整个画面不显单调。可以看出，画面内容虽为驱邪升仙，但其作风却是一种粗犷、奔放、自由生动的写实主义手法，给人的感觉是新颖向上的，而不是阴森灰颓的。
相关影视:中国通史高清
